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Géza Anda spiller Mozart. Piano concertos, G-dur KV 453 og C-dur KV 467. Vinyl.
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Mozart Piano concertos, nr. 17 G-dur KV 453 og nr, 21 C-dur KV 467 (Elvira Madigan). Vinyl. Solist og dirigent Géza Anda - Camerata Academica des Salzburger Mozarteums.
Géza Anda (1921 – 1976) was a Swiss-Hungarian pianist. A celebrated interpreter of classical and romantic repertoire, particularly noted for his performances and recordings of Mozart, he was also considered to be a tremendous interpreter of Beethoven, Schumann, Brahms and Bartók. In his heyday he was regarded as an amazing artist, possessed of a beautiful, natural and flawless technique that gave his concerts a unique quality. Most of his recordings were made on the Deutsche Grammophon label.
Géza Anda was born in 1921 in Budapest. He studied with Imre Stefaniai and Imre Keéri-Szántó, then became a pupil of Ernst von Dohnányi and Zoltán Kodály at the Franz Liszt Academy in Budapest.[2] In 1940 he won the Liszt Prize, and in the next year, he made an international name for himself with his performance of Brahms's Piano Concerto No. 2. In 1941, he also made his debut with the Berlin Philharmonic under Wilhelm Furtwängler, who dubbed him "troubadour of the piano."In 1943, he settled in Switzerland.
In the mid-1950s, Anda gave masterclasses at the Salzburg Mozarteum, and in 1960 he took the position of director of the Lucerne masterclasses, succeeding Edwin Fischer. His students included Per Enflo, who later became renowned for his work in mathematical analysis.
As a performer, Anda was particularly noted for his interpretation of Schumann's and Brahms's piano music. The New Grove Dictionary of Music and Musicians cites his "charismatic readings of Bartók and Schumann". He was regarded as the principal Bartók interpreter of his generation, even if other pianists since his death have made more obviously exciting recordings of that composer's concertos. Although he played very little Mozart in his early career, he became the first pianist to record the full cycle of Mozart's piano concerti; he recorded them between 1961 and 1969, conducting the orchestra from the keyboard.
His performance of the Andante from Mozart's Piano Concerto No. 21 in C on the soundtrack of the 1967 film Elvira Madigan led to the epithet "Elvira Madigan" often being applied to the concerto. For his recording of Mozart's Piano Concertos No. 17 and No. 21 with the Mozarteum Orchester Salzburg, he received the Grand Prix du Disque in 1963. His album, Mozart: Piano Concertos Nos. 17 & 21, peaked at No. 115 on the US Billboard Top LPs during a seventeen-week run on the chart in 1968. Klassisk.
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Sist endret: 15.11.2025 kl. 11:00 ・ FINN-kode: 436305539
