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Tilstand: Pent brukt - I god stand
IMPRESSIONISM - publisert av Leon Amiel Publisher i 1974. New York
År: 1974
Opphavsrett: © 1974 SPADEM
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Tekst i innledning:
Nothing seems easier at first sight than defining Impressionism. Since the movement is well-known, it would seem to be enough to name the painters who were associated with it and to define the charac- teristics of their works. But when one pays close attention to the distinctive traits of each painter, one quickly realizes that în certain areas there are many more contrasts than similarities.
Some impressionist painters, for example, can be defined working in an orthodox manner (especially Monet, Pissarro, Sisley).
There are others for whom Impressionism served only as a stimulus, a friendly environment, a shortlived temptation, a stage in their development or a starting point. It is important, when all of these artists are brought together under the title of Impressionism, not to lose sight of these differences. Of course it would be wrong to try to deprive the movement of its real significance, but at the same time the personal contribution of the main artists related to it must be emphasized. The more one studies their pictures, the more one realizes that they are each the unique expression of powerful and original personalities.
This observation is the guiding idea of this book. Obviously there is not enough space here to consider all the painters who may have been linked in one way or another with Impressionism. The criterion for selection has always been the importance and scope of the paint- ings, regardless of whether the artists were highly representative of the tendency, were simply close to it, influenced by it, or whether they borrowed some elements from it. This book intends to show that the impressionist period is a great one that not only inaugurated a new art but enriched us with a long and splendid series of masterworks.
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Sist endret: 10.10.2025 kl. 15:12 ・ FINN-kode: 431356094
