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Akai MPC4000
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8 000 kr
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Beskrivelse av varen
Tilstand: Godt brukt - Synlig brukt
Tung, stor og legendarisk. Noen bruksmerker i displayet. Gulnet plast på skrukonttene. Maskinen har også en hørbar vifte.
Zarges kasse i aluminium med skuminnredning etter MPC’ens mål fra Grove Knutsen følger med.
Hentes i Oslo, sendes ikke.
Dette er en gammel maskin i utmerket stand. Kun for den seriøse MPC entusiast.
Sampling formats: 24- or 16-bit at 44.1kHz, 48kHz and 96kHz.
Polyphony: 64 voices (32 voices at 96KHz).
Envelope generators: Three digital envelope generators.
Filters: Two-pole filter (x3) with resonance (32 filter types).
LFOs: Two multi-wave LFOs
Maximum events: 300,000.
Resolution: 960 parts per quarter note.
Sequences: 128.
Tracks per sequence: 128.
MIDI output channels: 64, via four separately addressable MIDI ports.
Song mode: 128 songs, 250 steps per song.
Drum pads: 16 (velocity and pressure sensitive) in six banks.
Sync modes: MTC, MIDI Clock, SMPTE.
Effects: Four-channel 24-bit/96kHz effects board as standard.
Sampling times (512MB of RAM)
Mono/44.1kHz/16-bit: One hour, 34 minutes, 42 seconds.
Mono/44.1kHz/24-bit: One hour, four minutes, 28 seconds.
«First, the MPC4000's sampling and sound-manipulation capabilities are streets ahead of what's been on offer before (and all at 24-bit/96kHz resolution to boot). Whereas previous machines have always fallen slightly short of offering the full capabilities of Akai's rackmount samplers — mdash; for example it wasn't until the arrival of the MPC2000 that the designers saw fit to include looping — mdash; there's nothing significant you can't do with the MPC4000 that you wouldn't be able to do with a Z-series machine. Second, the sequencer is much more powerful than its forebears, and thanks to its graphical interface, it has the ease of use usually associated with software-based sequencers. A particularly creative function is the aforementioned Phrase facility, which allows you to grab sections of a sequence and turn it into a standalone phrase. Third, there are the six Q-link controls which, like those on Akai's Z-series samples, take live manipulation of sounds and samples — mdash; and indeed external devices — mdash; to a new creative level. And last, but in practical terms probably one of the most desirable additions, the presence of an internal hard disk is generally all round much more convenient, particularly if you're using the unit live.»
– Sound on Sound i 2002
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Sist endret: 27.11.2025 kl. 12:00 ・ FINN-kode: 407687302
